• Long story short.
  • Incarnate
  • Let It Go
  • Abundant Days To Come
  • Into the Unknown
  • Skin Come Leather, Vol. III (Group exhi + performance, Berlin)
  • Skin Come Leather, Vol. II (Solo exhi + performance, NYC)
  • Skin Come Leather, Vol. I ( Performance in Brussels)
  • Guiding dog (Book)
  • Sospiri
  • Crack Pipes, Glands, Incarnate, Life, Sick Af
  • A Rehearsal
  • Dry Me A River
  • Retrospective
  • Phantom Limb
  • Enzyme
  • lkea Made Fashion
  • Big Bag
  • L’Eau des Algues
  • Bob the Builder
  • Frenzied Chirping
  • There’s no place like homes
  • Solo Dirt
  • My Immortal
  • Soy Soya
  • Narcissus Ecocore
  • Unlimited Sportsforest Chicas
  • SALIVA
  • Anna Zemankova: Pollen (Curation)
  • Anna Zemankova (Curation)
  • D’epog: Cheeeeeese (Curation)
  • Lukas Karbus (Curation)
  • Tomas Lahoda (Curation)
  • Hairy Earthtongue, weeping toothcrust, fairy rings. (Curation)
  • Vladimir Kokolia: In case the last thing you ever see is a treetop (Curation)
  • A Guiding Dog for a Blind Dog (Curation)
  • Grzegorz Demczuk: Slapstick (Curation)
  • India Ray: I stalk youu (Curation)
  • Dirt Under Your Nails (Curation)
  • Long story short.
  • Incarnate
  • Let It Go
  • Abundant Days To Come
  • Into the Unknown
  • Skin Come Leather, Vol. III (Group exhi + performance, Berlin)
  • Skin Come Leather, Vol. II (Solo exhi + performance, NYC)
  • Skin Come Leather, Vol. I ( Performance in Brussels)
  • Guiding dog (Book)
  • Sospiri
  • Crack Pipes, Glands, Incarnate, Life, Sick Af
  • A Rehearsal
  • Dry Me A River
  • Retrospective
  • Phantom Limb
  • Enzyme
  • lkea Made Fashion
  • Big Bag
  • L’Eau des Algues
  • Bob the Builder
  • Frenzied Chirping
  • There’s no place like homes
  • Solo Dirt
  • My Immortal
  • Soy Soya
  • Narcissus Ecocore
  • Unlimited Sportsforest Chicas
  • SALIVA
  • Anna Zemankova: Pollen (Curation)
  • Anna Zemankova (Curation)
  • D’epog: Cheeeeeese (Curation)
  • Lukas Karbus (Curation)
  • Tomas Lahoda (Curation)
  • Hairy Earthtongue, weeping toothcrust, fairy rings. (Curation)
  • Vladimir Kokolia: In case the last thing you ever see is a treetop (Curation)
  • A Guiding Dog for a Blind Dog (Curation)
  • Grzegorz Demczuk: Slapstick (Curation)
  • India Ray: I stalk youu (Curation)
  • Dirt Under Your Nails (Curation)
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva

A Rehearsal at Jupiter Woods, London,

August 4, 2018

lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva

The gallery and the garden of Jupiter Woods becomes a serene scented environment for an immersive workshop, during which the audience is encouraged to take an active part in what usually is Hofmann’s rehearsing process, involving the performers prior his performative actions. Exercises concern intimacy but also crude analysis, breathing exercises emphasising absence rather than presence. This situation aims at generating a two-way exchange, allowing personal insight into the artist’s practice and performative strategy on one side, as well as to provide feedback to the artist on the other. 

The performance featured contributions by Miranda Keyes and Marie Lüder.

Pictures by Caroline Heron (AQNB)

lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva

A Rehearsal at Jupiter Woods, London,

August 4, 2018

lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva

The gallery and the garden of Jupiter Woods becomes a serene scented environment for an immersive workshop, during which the audience is encouraged to take an active part in what usually is Hofmann’s rehearsing process, involving the performers prior his performative actions. Exercises concern intimacy but also crude analysis, breathing exercises emphasising absence rather than presence. This situation aims at generating a two-way exchange, allowing personal insight into the artist’s practice and performative strategy on one side, as well as to provide feedback to the artist on the other. 

The performance featured contributions by Miranda Keyes and Marie Lüder.

Pictures by Caroline Heron (AQNB)

lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva
lukas hofmann / saliva